Painters employ color, light, and shadow. Writers use small, standardized black marks set against a white background. Yet these marks can inspire, condemn, evoke tears, laughter, anger, or regret. They can sweep a reader into a different reality, even bring a vanished time to life. What is the secret of their power?
All the elements of writing well and writing good fiction apply to writing the historical novel: characterization, voice, plot, theme, and solid research about the time period. But what makes a good historical novel—a novel that uncorks the magic of historical fiction, engrossing the reader in a story that transforms the past from a misty construct into something “real”?
To do that, there must be an authoritative voice that makes the characters and the historical setting believable and allows the reader to “suspend belief.” Part of establishing that voice is found in the advice to writers…
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